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Exhibition & Installation Proposal

8 weeks · 0 milestones

Exhibition or degree show proposal for presenting the student's body of work in a spatial context. Triad: concept/ideation artifact (curatorial rationale and concept statement: what the exhibition communicates as a whole beyond the individual works, what spatial and experiential quality the show is intended to produce for the viewer), technical execution artifact (spatial installation design: floor plan at scale showing work placement, elevations where relevant, lighting brief, technical requirements for each work — dimensions, power, mounting, AV), documentation/critique artifact (exhibition proposal document: contextual statement, intended audience rationale, production timeline with realistic dates, and installation specifications for each work). Studio critique: curator, gallery director, or fine art degree show coordinator reviews the spatial and curatorial decisions — the proposal must demonstrate real spatial thinking, not a simple list of works in a room. Proof: curatorial statement, floor plan and elevations, installation specifications, full proposal document, critique notes. Verifier: curator, gallery coordinator, or fine art degree show panel member.

Milestone map

Milestone map

3 milestones

Develop exhibition concept and spatial proposition

2 weeks (2 hrs/day)

Develop an exhibition concept for a specific real or hypothetical venue. Write an exhibition rationale (400–600 words) covering: the work to be exhibited, the spatial and experiential intention (how you want viewers to experience the work), and any installation-specific requirements. Produce a floor plan sketch showing how work would be positioned.

Proof required

Submit: (1) exhibition rationale (400–600 words) as a PDF, (2) floor plan sketch (hand-drawn or digital, annotated with work positions).

What gets checked

  • Rationale specifies a real or explicitly described hypothetical venue — not 'a white cube gallery'
  • Spatial intention goes beyond 'works hung on the walls' — viewing sequence, lighting, spatial relationships between works are addressed
  • Floor plan positions specific named works and includes scale indication

Common mistakes

  • Exhibition concept is a list of works without spatial thinking
  • Venue is generic — spatial constraints and character are not used in the proposal
  • Rationale describes the work without addressing how the exhibition space shapes the viewer experience

Resources

Foundationstart here

Depthgo deeper

What a verifier looks for

  • Check rationale specifies a real or explicitly described venue — generic 'gallery' proposals have not engaged with site
  • Verify spatial intention addresses viewer experience — not just listing what will hang where
  • Ask student: how does the sequence in which viewers encounter your work matter? If it doesn't matter, is that a deliberate decision or an omission?

Produce installation specification and technical requirements document

1–2 weeks (1–2 hrs/day)

Produce an installation specification covering: individual work dimensions and weights, mounting and hanging requirements, lighting requirements (natural vs artificial, lux levels if known), any electrical or AV requirements, and risk/health-and-safety considerations. This document should be detailed enough for a gallery technician to install the work without asking clarifying questions.

Proof required

Submit your installation specification as a PDF: work list with dimensions and weights, mounting/hanging requirements, lighting requirements, any electrical/AV needs, and a risk note.

What gets checked

  • Every work has dimensions and weight — not some works with measurements missing
  • Mounting requirements are specific — 'hang on wall' is not a specification; '3mm steel picture wire, 2 fixing points at load-bearing studs' is
  • Risk note identifies specific risks relevant to the installation (fragile work, electrical, floor-standing pieces) — not a generic statement

Common mistakes

  • Specification is aspirational rather than technical — written for an imagined perfect gallery, not for a real technician
  • Dimensions are approximate — 'roughly A3 size' rather than measured
  • Risk considerations are generic — 'be careful with glass' rather than specific risk controls

Resources

Foundationstart here

What a verifier looks for

  • Check every work has measured dimensions and weight — approximate dimensions indicate specification has not been completed
  • Verify mounting requirements are specific enough for a technician to act on — ask student to demonstrate by describing how one work would be installed
  • Ask student: what is the single most important risk in installing this exhibition? If they can't name a specific risk, the risk section was written generically

Present proposal to critique and refine based on feedback

1 week

Present your exhibition proposal to a tutor, curator, or gallery professional in a review session (minimum 20 minutes). Document specific challenges raised about the exhibition concept, spatial choices, or technical feasibility. Produce a revised proposal note (minimum half page) identifying what changed after the review and why.

Proof required

Submit: (1) review session record (date, reviewer, specific challenges raised), (2) revised proposal note (minimum half page on what changed and why).

What gets checked

  • Review record documents specific challenges — not 'the tutor approved the proposal'
  • Revised proposal note identifies at least two specific changes with rationale
  • Changes address spatial or conceptual feedback, not just formatting

Common mistakes

  • Proposal is presented as finished — reviewer has no room to challenge
  • Revised proposal note documents changes without explaining the reasoning
  • Review session is too short to get into spatial or conceptual depth

Resources

Foundationstart here

What a verifier looks for

  • Verify review session was minimum 20 minutes
  • Check revised proposal note addresses spatial or conceptual challenges — not just administrative corrections
  • Ask student: what would have been lost if you hadn't shown this proposal to a reviewer? If nothing, the review was not substantive

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